REVIEW (Pulp): World premiere of Joseph Zettelmaier’s ‘Renaissance Man’

Screen Shot 2017-06-19 at 11.14.36 AM.pngThe resistance wears elf ears.

At least, it does in Joseph Zettelmaier’s Renaissance Man, now having its world premiere via Penny Seats Theatre.

A riff on Macbeth and staged outdoors — at West Park, in front of the band shell — Renaissance tells the story of behind-the-scenes unrest at a fictional Renaissance festival called Gloriana. Longtime knight Martin Mackabee (Patrick Loos) and art school dropout/face painter Emma Murtz (Kelly Rose Voigt) connect partly through their shared frustration that the fair is not more historically accurate, and bristle against the inclusion of anachronisms like drench-a-wench, elves, leather corset vendors, gypsy fortunetellers, and turkey legs. Gloriana’s benevolent, permissive “king,” Chuck Duncan (Robert Schorr), earns the pair’s scorn, and Emma takes action, entrapping Chuck so that he must resign from Gloriana.

But if you remember your Macbeth — or even if you don’t — you can probably guess that Martin finds that, to quote yet another Shakespearean king, “Heavy is the head that wears the crown.” When Martin and Emma transform the face painting tent into a plague tent, and turkey legs are replaced by boiled herring and turnips, and charming minstrel Eli Duffy (David Galido) is recast as a consumptive beggar, the fair’s business dries up, and Martin and Emma have to reflect on their actions, motives, and ambitions. READ THE REST HERE

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